John Gushue . . . Dot Dot Dot

The Conan O'Brien Screech-in, and the weakest-looking rum ever seen

Natasha Henstridge, the Newfoundland-born actor, decided to do what she called a Screech-In during an appearance on The Tonight Show with Conan O'Brien the other night. You can see the clip below.[UPDATE: I've been informed this is a six-year-old clip, which makes sense; Henstridge is promoting a show that went off the air in 2004. See the comments below.]

I groan whenever I encounter a Screech-In, and actively avoid them. I have to say I was caught off guard by Henstridge's explanations.

In the clip, you'll see her define Screech first as "moonshine," although she later calls it rum. (If you look closely, it looks like the dark rum she describes has been replaced by something clear. Like water. Especially when you see O'Brien ham it up and reach for the bottle.)

Then there's explanation of when Screech-Ins occur.

"In Newfoundland, we celebrate a little differently," she said, adding that Screech-Ins happen "when you have babies, or you get married."

Um ... what??

Here's a thought. A Screech-in, in which unsuspecting tourists are told this is a fine tradition (but aren't told that it was invented as a marketing ploy, dates back only to the Seventies, and is as widely loathed as it is admired), might just as well adopt Natasha Henstridge's proposed new definitions. They are, after all, just as authentic as what the NLC once came up with, and as genuine as the codswallop that the downtown bars get on with to this day. 

John Lydon, and why he berates rebellious kids

John Lydon is reforming PiL, a.k.a. Public Image Limited. In a piece published in today's Guardian in London, the expat Brit and punk founder comments on Youth of Today:

On a recent visit, he says, he berated some schoolkids for throwing stones at passing buses. "Younger people at the moment are very mouthy and aggressive," he complains, oblivious to the irony. "You're all terrified of your own youth. You're not allowed to give them a clip around the ear and send them home." But weren't people scared of him in his youth? "Mmm. That was the power of words, but this lot use violence."

I can has synergistic, cross-pollinating web empire

Time magazine profiles Ben Huh, who is making a mint from a bunch of sites and blogs, from the Fail blog to GraphJam to I Can Has Cheezburger.

(Before we continue: Aside from the Lolcats trend that has kind of overstayed its welcome by, oh, many moons, I think Huh has something to answer for because of the Fail meme. I've quite had it with teens and young adults, with no practical life or work experience, instantly and angrily labelling something as "FAIL!!!" - not because it doesn't work, but because they simply don't like it.)

Huh's sites (more than 20 of them) are making a mint:

These spellbindingly inane blogs were built with the kind of user-generated content that has made Facebook and YouTube tremendously popular. But unlike these bigger sites, Huh's company has been in the black since its first quarter. Pet Holdings managed to haul in seven figures from advertising, licensing fees and merchandise sales during the first six months of this year, according to a report given to Huh's investors.

Laugh at that, cats.

Hitler loses it over Michael Jackson's death

Yes, this is completely tasteless, but I laughed out loud when I watched this clip this morning: the latest in a long, long line of parodies using Hitler's breakdown scene from the movie Downfall. (More on that here.) The subtitles are not for the easily offended.

How the Sixties turned into the Seventies, as told by Avon

You can tell a lot about an era from its advertising, and you can tell something about a company, sometimes, by how it presents its brand to fit the times.

I came across, by accident, a pretty decent (and unintentionally funny) example in the video below, which shows three videos for Avon cosmetics (you know, "Ding dong ...") with the first starting in Camelot-era 1962 and the third ending in Carly Simon-era 1970s.

The three are pretty different. The first has a higher word count than some magazine articles: wall-to-wall narration, all to suit the elegant milieu. (I've always been struck by how print ads from the era also included walls of text; it's as if the copywriters were paid by the word.)

The second piece, which I'm guessing is from the late Sixties, is the comic relief, as Avon tries to keep hip with the psychedelic era. If I didn't know otherwise and couldn't hear, I would have thought it was from an outtake from Laugh-In.

In the third, you'll see how writing had changed: fewer words, but charged words. And doesn't walking through tall grasses just say "fragrance"?

Storytelling festival

The St. John's Storytelling Festival is coming up next month, from Oct. 21 to 26. Check out the details here.

Land Shark week

Consider this an excuse to sneak an image from Saturday Night Live's iconic Land Shark sketches in this morning; the character is, believe it or not, one of several pop-culture citations of sharks featured in this Radar piece.

Immortal, if not necessarily beloved

The Grim Reaper has appeared in countless films, TV shows, New Yorker cartoons ... but rarely delivers the giggles as in Bill & Ted's Bogus Journey, in which a Bergman-like Death goes shopping, plays Twister, etc. He's featured in a new Entertainment Weekly gallery about immortal characters featured in pop culture.

A hand that scratches

One part video, one part hip-hop puppet show ... and a good chuckle if you have a minute to spare. Click through to watch a decent show of hand-synching.

R-r-r-rationalize like a pirate

From Joy of Tech.