I've mentioned a few times that we have been watching the James Bond films, more or less in sequence. We started in January; when a weekend slot is open and we're in the mood, we pop in a DVD. (Buying that set from Costco years back has paid off!).
This weekend, it was The Living Daylights, with Timothy Dalton, from 1987. A little while ago, we finished the last of the Roger Moore films, as I would call it, The Trough. I didn't think much of Octopussy and especially A View to a Kill when I saw them, and my sour impression holds up.
The Living Daylights was a bit of a mini-reboot ... nothing like what has happened recently with Daniel Craig, but definitely a step in the right direction. It's easy to credit the changes with Dalton himself, who lost the wink-wink light-comedy sarcasm of Moore, and tried to put some smoulder back in the part.
It was interesting to learn from the mini-documentary attached to the DVD that the production team had the redesign in mind well before Dalton was cast. After all, Pierce Brosnan was their choice, but he could not be released from Remington Steele to make it. Dalton (who had been on the franchise's radar since 1969!) got the part. The next film, Licence To Kill, had a grittier feel, maybe anticipating where Craig's Bond would go, but my recollection is of an unsatisfying film.
That would be it for Dalton. The franchise ran into a wall, and it wouldn't get back on track for six years.
Those films are on the horizon. In retrospect, I still see Timothy Dalton as the Bond who didn't get his due.
Nick, by the way, loved it.
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